Week 8 is Argentina Culture. First thought off the bat was Latin dancing, specifically the tango. I sketched some ideas, but nothing really caught my interest. I did some research, and still really couldn't come up with a better thought than tango... but I couldn't imagine a workable idea. Then Monday or Tues, bored out of my mine doing something else, I started to sketch dancers in my book. Now I'm not great at drawing, but something seem to click, and I thought, what about a pendant with tango dancers drilled down the the simplest, fewest lines? Could I make something that looked abstract but if you looked closer, like a stereoscope picture, morphed into an actual image?? I bet I sketched those dancers 20 times, each time taking away something, trying to get it as simple as possible.
It was working on paper, so now I had to do it in wire. I'm very pleased with my results! I used 14ga copper for the gentleman dancer, and and 16ga for the lady. I hammered the whole piece lightly, for strength. In the dance the man supports the woman, and the woman is graceful and flowing. . The woman's hands and feet end in small spirals to help create that feel, as well as I hammered the Male's feet. I've watched enough "so you think you can dance" and Mary Murphy to know that competitive dancing seems to be about extension and straight lines. I tried to convey that as well in this piece.
Here is another recent piece. This necklace I call "crystal tree" It originally started out with a full hammered oblong around the crystal, but it didn't look right. So in the spirit of working on a piece until I"m actually happy with it I took a leap and cut that out, and the piece changed dramatically. I added more binding wire to give it a little better stability but I'm very happy with the look. Matching earrings of course.
Last "bonus" piece this week is a necklace and earring combo I made using lamp work beads.
It was working on paper, so now I had to do it in wire. I'm very pleased with my results! I used 14ga copper for the gentleman dancer, and and 16ga for the lady. I hammered the whole piece lightly, for strength. In the dance the man supports the woman, and the woman is graceful and flowing. . The woman's hands and feet end in small spirals to help create that feel, as well as I hammered the Male's feet. I've watched enough "so you think you can dance" and Mary Murphy to know that competitive dancing seems to be about extension and straight lines. I tried to convey that as well in this piece.
Here is another recent piece. This necklace I call "crystal tree" It originally started out with a full hammered oblong around the crystal, but it didn't look right. So in the spirit of working on a piece until I"m actually happy with it I took a leap and cut that out, and the piece changed dramatically. I added more binding wire to give it a little better stability but I'm very happy with the look. Matching earrings of course.
Last "bonus" piece this week is a necklace and earring combo I made using lamp work beads.